Half-fathom

Price: $3800.0

Size: 30.0 x 21.0 x 1.5 in Medium: painting Material: Acrylic dispersion, gold and palladium leaf, and iridescence on polymer canvas Frame: Not Framed
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About The Artwork

Year: 2022 Style: fine art Description: My title for this painting, Half-fathom, is a reference to Jackson Pollocks vertical canvas Full fathom five at MoMA. Pollock’s title comes from a passage in Shakespeare’s The Tempest, where the character Ariel describes a deadly shipwreck: Full fathom five thy father lies Of his bones are coral made Those are pearls that were his eyes Need Help? Contact sales@revart.co

About The Artist

Randall Stoltzfus
Randall Stoltzfus
Fine Art Artist
Brooklyn, NY, United States
Randall Stoltzfus

Bio

Randall Stoltzfus learned to cross-stitch, garden, and paint houses from his Mennonite family in rural Virginia before graduating with the highest distinction from UVA in 1993. Now he works in a studio in Brooklyn, where he makes art about light which is constructed from multitudes of hand-painted circles.

Seeking Light

We are each part of something larger than ourselves. Each of us, whether we realize it or not, is surrounded by our own light, which, in turn, contributes to a collective light so vast that it is easily overlooked.

The phenomenon of light — and our cooperation in creating it — are the subjects of Randall Stoltzfus’ art. “Light is essential to seeing, and light is essential to what my paintings express.” When seen, the expressions in Stoltzfus’ canvas spark light inside each of us.

For two decades, Stoltzfus has experimented with circles as the basis for an expressive language. By layering multitudes of circles, he builds subtle abstract forms that vibrate with light and unfold into otherworldly landscapes. No two of his circles are the same, differing in texture, color, size, and the unique marks left by the artist’s hand. The occasional application of gold-leaf adds yet another dimension of radiance.

These many layers of circles, both visible and hidden, reveal something greater than their sum as they coalesce to make the unseen visible. They communicate the artist’s inner feelings about the world. “Our eyes are circular -- the circle is the shape that enables each of us to see,” Stoltzfus said.

Influenced by his Mennonite upbringing, Stoltzfus’ circles show his deep affection for the natural world and his unease with the manufactured world - like this rectangular screen, its repetitive pixels, and the angular mass-produced goods that dot our environment.

Stoltzfus’ artworks evoke a sense of personal responsibility. His art reminds us that everybody brings light into the world and that by working together we can illuminate something much greater than ourselves.