Rivanna Light

Price: $400.0

Size: 9.5 x 13.5 x 0.1 in Medium: painting Material: Watercolor on cold press paper Frame: Not Framed

Price: TBC

Size: 9.5 x 13.5 x 0.1 in Medium: painting Material: Watercolor on cold press paper Frame: Not Framed

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About The Artwork

Year: 2019 Style: fine art,others,abstract Description: In the fall of 2019, I took a week off work to complete a plein air painting every day. On the second day, while walking along the Rivanna, I noticed how beautifully the steep bank on the opposite side of the river was catching the light. It was a fleeting moment, but I was able to capture it. Need Help? Contact sales@revart.co

About The Artist

Samuel Harris Fisher
Samuel Harris Fisher
Fine Art, Abstract Artist
Charlottesville, VA, United States

Fisher was born and raised in the foothills of the Blue Ridge Mountains. The young forests that now grow from these ancient bones either instilled in or simply matched Fisher's quiet yet youthful soul. Despite finding success in a career of technology and business, Fisher found the modern working world to be too loud, too busy, and somehow divorced from reality. Having found meaningful ground to stand on in mysticism and the stillness of the forest, they are now taking the Leap into the unknown of the creative life.

Our modern desperation for meaning initially led Fisher to attempt to revive archaic stories and archetypes through their art. This proved to be a path towards contrivance.

In their thirties, they began channeling their art exclusively through a mystic process. Putting their critical, conceptual mind away, they instead attended to the richness of their lived experience and became saturated with qualia. Being attentive in this non-conceptual way allows raw experiences to find their way to the Deep Mind where Fisher believes True meaning to be cultivated rather than constructed. Fisher now allows the harvest of cultivated meaning to percolate up from the Deep without question. Like a dream, the resulting work is mysterious and compelling - not conveying meaning but inviting the blossoming of meaning in the soul of the viewer. Fisher considers the paintings that result from this process to be more akin to sermons, poetry, or mystical utterances than to the contrived conceptual.